威尼斯商人启示高中英语作文(精选5篇)
威尼斯商人启示高中英语作文(精选5篇)
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威尼斯商人启示高中英语作文 1
the merchant of veniceis a book that was written by shakespeare. the book tells us such a story:bassanio, a noble venetian, who, having but a small patrimony, had nearly ehausted his little fortune by living in too epensive a manner for his slender means, as men of high rank with small fortunes are too apt to do. antonio was his best friend. whenever bassanio wanted money, antonio assisted him. one day bassanio came to antonio, and wanted antonio to lend him three thousand ducats to marry his lover portia. but antonio had no money on him at that time to lend his friend. so they went together to shylock, the jew, who was a usurer. he was a hard-hearted man, and he hated antonio very much. so he promised antonio at once, but antonio should go with him to a lawyer, and there signed in merry sport a bond, that if he did not repay the money by a certain day, he would forfeit a pound of flesh, to be cut off from any part of his body that shylock pleased. antonio promised. but after bassanio married, antonio’s ship sank, so he had no money to return to shylock. shylock hated antonio so he wanted the pound of flesh. bassanio knew that and took the money twenty times over to save his friend. but shylock only wanted to kill antonio. when there seemed to be no way to help antonio, portia came. she dressed herself as a man who was a lawyer. she contended with shylock on the law court. she persuaded shylock to accept the money but not the flesh. but shylock only wanted to kill antonio; he didn’t accept the money. at last portia found a rip in the agreement. so she saved antonio and shylock got punished.
shylock is a villain, and in our life, we sometimes can barge up against the man like shylock. maybe they want our money or something else. we do not want to come into contact with such men, but not everything is following our wills. if we come up against the villains, we can use our wit to beat them.
first, when we find he is a villain, we must be calm and brave; we mustn’t be panic. we can speak to him and tell him you have no money, and we can make him think that we are weak or a little afraid. then he is relaed, we can call our relations or the police to help ourselves. or we even can call others for help. others may help us. on the other hand, if others need our help, we should do our best to help them. we must use our wit to fight against the villains.
when we come up against the villains, we must believe that righteousness can always overcome improbity. if we know that, we can see others are helping us and we are helping others who need our help. we are together building a more clear and wonderful world.
威尼斯商人启示高中英语作文 2
Used to see Shakespeares tragedy,I occasionally change stomach,to appreciate what he has written comedy,but also quite tasty.Last week,I read books written by Shakespeares "The Merchant of Venice" and I feel that the value of friendship.Hero Antonio Basaniao young people between the nobility and the sincere friendship,to face the test of life and death,their friendship appears to be more selfless."The Merchant of Venice" and other Shakespeare plays,the performance of his lifes love,and longing for youth.I think this script interesting twists and turns of the plot,filled with a very strong comedy,but also reflects the life of Shakespeare himself optimistic,cheerful character.There is a play not only hateful but also peoples sympathy for the characters,he called Shylock is a Jew,the loan-sharking.He inexcusable insatiable,but he is also a subject of discrimination against Jews.He plays on behalf of oppressed Jews,said the passage has been memorable to me:"Jews do not have eyes,no limbs,facial features,there is no perception,no feelings,no blood?
He is not eating the same food,can be subject to the same weapon injury ,Also needs medical treatment,will find the winter cold,summer heat will feel,with the same Christian?"He was a suffering nation to issue unfairness of the call.I prefer that Baoxi Ya.Her elegant noble,sentimental tenderness,a high degree of intelligence,wit the courage to plunge into the decisive action of their own actions prove that poor women than men.The writing was a businessman living in Venice,where the true story of the human family and friendship than anything else,this book was written out of our friend deal with the right attitude.Can not think of Shakespeares comedy writing is so interesting.
威尼斯商人启示高中英语作文 3
The merchant of Venice is let me hard to release the hand of a good book, I took three days to finish it.Read after me for a long time to let go and stroked the bark, deeply touched.The merchant of Venice image portrayal of the characters is bright,
Antonio is the most kind, and he stands in sharp contrast to Shylock despicable, but Bosch chardonnay is the most intelligent.Characters are left an enduring impression on me, the most let I touched Antonio intentionally and bashan.
Friends are brothers, friends, and can wheels.Antonio and bashan friends, friendship, in bashan, the victim, fell to their lowest life, Antonio to bashan, as before.Antonio had to bashan said: "your debts, die without hatred".
Friendship, said Antonio of bashan, friendship, let me the most moving.Moved, let me.
Have a friend, also encouraged me to make more friends., I and friends, and Antonio and bashan friendship.I dont treat friends to Antonio, my friends dont have a friend like Antonio.
I will completely open your heart to treat my friends and also retained., can make ordinary friends, if you want to have a true friend, as I go down, was a forlorn hope.
Saw the merchant of Venice, I decided to treat friends wholeheartedly, to open up, with the sincerity pays.
威尼斯商人启示高中英语作文 4
In fact, I dont think Sherlock is the winner of his life, but he may not be quick enough to be wise or not ruthless. At the end of the event, who is more ruthless than Sherlock does not want to cut meat, but is it not allowed to allow people to die? Im Sherlocks words. OK, Ill go and cut it and see if I accidentally die, Ill lose my life again. When my knife was only a centimeter away from Antonios heart, women would have compromised, and the repayment scheme was even more profitable for Sherlock, who had negotiated the initiative. But in fact, Sherlock first encouraged him, but he could not help it. He could only kneel on the ground and beg for forgiveness, so he lost. Just like two people tug of war, people who are discouraged at the crucial moment are injured more.
In a word, this story is not a simple "base friend, an intelligence wuner". It is more integrated into the background of the times and reacts to the religious and ethnic conflicts of the time. We often fall into the rut of "the author has a position": since it is not a simple story about wisdom and justice, is it that Savon is ordinary for the Jews? Maybe neither of them. I think it is more in a story, the real reflection of the social life system, history, culture and the existence of oppression, discrimination, praise of good, and also face their own evil, impartial, to convey that "people and things in society are good and evil intertwined rather than black and white." On the other hand, the setting of "Antonio and babanho is a base friend", which is implied by many ambiguous details, further confirms that "the character is grey", because in medieval Europe homosexuality is a serious crime that should be hanged. Under the system of value at that time, such a setting conveys that the protagonists, who appear to be at the height of moral integrity, are also criminals who are inferior in morality.
Lets talk about this one. I despise him from the bottom of my heart. Although his aristocracy did not keep his wealth, he had always relied on Antonio, even his wifes money, and then mortgaged his best friend to his enemy for marrying his wife, a man who wanted his life all the time, and made such a defeat with a grand reason, friendship, alas. Family friend, Antonio, you are still from Sherlock. Though he is dregs, he is sincere. He only wants your life and no wife. Then he took the money to marry the beautiful and rich Baocia with their money, but the tragedy was that Portia was still very smart, which helped him but also buried a time bomb for their relationship. Then Antonio had an accident, and he took his wifes money to save his friends, and finally he saved his friend by his wife. Completely empty handed white wolf, no way, who is handsome? He vowed to Portia that if the ring had left his finger, his life would not exist, and then he turned the ring out for Antonios salvation, and again, did Savon imply that all the oath was unbelievable? I dont know if Baocia can live happily with a man like such a man, and dont know if she will live in an uneasiness every day, or she will ask Antonio to make a guarantee to make a vow. Its not happy.
Sherlock is not a positive character, but he dares to fight. As his classic Accusation: Jews, like Christians, eat the same food, breathe the same air, are cold in winter, hot in summer, stabed by swords and bleed, humiliation and resistance. Imagine if a Jew had hurt a Christian, the consequences were self-evident. Therefore, Sherlock will start the idea of revenge, but it is also reasonable. To be exact, I think this movie is more like a group of fellow bullies trying to bully a lonely old man. The daughter and the enemy eloped, the property was confiscated, the religious belief was also asked by Antonio to convert to Christianity, and the white - haired old man finally lost his previous game in the court. At the end of the film, when the door of the Judaism church was closed slowly, the gaunt figure was left wandering outside. At this moment, my heart sore suddenly. For the Westerners of the supremacy of faith, there is nothing more punishing than the stubborn Sherlock, and nothing is worse than that. Different Venice businessmen, different Sherlock. In the same plot, the same characters will experience different feelings after experiencing more experiences at different ages.
威尼斯商人启示高中英语作文 5
One of Shakespeares most powerful and controversial plays finally comes to the screen in Michael Radfords splendid adaptation of The Merchant of Venice. Briskly paced and passionately alive, Radfords compelling and handsomely filmed version of the Bards tragicomic play features a superlative cast headed by Oscar winners Al Pacino and Jeremy Irons. They, along with Joseph Fiennes and luminously gifted newcomer Lynn Collins, command the screen in The Merchant of Venice, which marks the first time the director of Il Postino has ever tackled Shakespeare. And while his traditional approach to the play may lack the cinematic dazzle of Baz Luhrmanns contemporary spin on Romeo + Juliet, theres nothing static or overly stagy about Radfords The Merchant of Venice.
Filmed on location, The Merchant of Venice transports you back to the 16th century, when the citys vilified Jewish community was ghettoized. Shunned, even spat upon by the Venetian nobles and merchants, the Jewish moneylender Shylock (Pacino) has built a sizable fortune through usury. Although the merchant Antonio (Irons) despises Shylock, he nonetheless goes to him on behalf of his debt-ridden friend Bassanio (Fiennes)。 To woo the beautiful and fabulously rich Portia (Collins), Bassanio needs money. Since Antonio is momentarily low on funds, he borrows it from Shylock. But if Antonio fails to repay the loan by a set date, Shylock will take payment in the form of a pound of flesh from Antonios chest.
Over Bassanios objections, Antonio accepts Shylocks offer. Meanwhile, as Bassanio sets sail for Portias island home, Shylocks world begins to crumble. His beloved daughter Jessica (Zuleika Robinson) renounces her faith to run away with Bassanios friend Lorenzo (Charlie Cox)。 And she takes a large chunk of Shylocks money with her. Feeling betrayed and abandoned, Shylock focuses all his hurt and anger on Antonio, his longtime foe. When Antonio cannot pay the loan on time, Shylock therefore ignores entreaties to be merciful. It appears only a miracle can save the merchant, who is bound by law to honor the grisly terms of Shylocks loan.
Aside from a 1973 film starring Laurence Olivier, filmmakers have shied away from this daunting mix of pathos and comedy, which has also been criticized as anti-Semitic. And on a cursory level, the character of Shylock does indeed conform to a Jewish stereotype. Yet he is ultimately a far more sympathetic and complex figure, whose actions are understandable, given the persecution he endures. Shylock may seem ruthless, greedy and vengeful, but hes also tragic—a proud man trying to assert himself in the face of blatant prejudice. In one of Shakespeares most famous speeches, Shylock turns on his oppressors and asks at one point, “If you prick us, do we not bleed?” Its a mesmerizing, intensely felt plea for respect that Pacino performs brilliantly, his voice a mixture of hurt and pent-up rage.
Speaking of Pacino, he admirably resists the urge to go his usual histrionic route in The Merchant of Venice. In recent years, hes degenerated into something of a self-parody—a loud ham who seemed intent on screaming his way through a movie. Thankfully, the Shakespeare devotee (Looking for Richard) appears to have rediscovered subtlety and nuance in acting. Hes forceful and magnetic without being showy. Like Roy Cohn, whom Pacino plays superbly in Angels in America, Shylock is a bravura role that could easily be played as a villain, but as he did with Cohn, Pacino manages to find traces of vulnerability in this angry, deeply wounded man.
Although Irons and Fiennes (Shakespeare in Love) are both excellent, its Collins who makes the biggest splash opposite Pacino. Looking like she stepped out of a Renaissance painting, this prodigiously talented American actress has a musical voice and intelligence similar to Cate Blanchett. Shes immensely charming and spirited in the comic scenes at her island home, where a parade of would-be suitors tries to win her hand (and fortune)。 She also doesnt shrink from going head-to-head with Pacino in the courtroom scene that brings The Merchant of Venice to its gripping climax.
Beautifully shot by Benoit Delhomme, The Merchant of Venice is the best film version of a Shakespearean play since Julie Taymors Titus.